Everyone knows the real international language is love. So it's hardly surprising that so many of us are willing to relocate to far-flung places in the name of romance. I did it once. It ended in tears after two years, and actually messed me up good and proper, but I wouldn't swap my experience for anything.
Moving to the other side of the planet where you don't know a soul except your beloved puts you in a scary position. Your support circle is gone. You're dependent on your partner for your social life, emotional succour, everything.
It's a start from scratch.
But my experience is mild! At least I could speak the language and got a job relatively quickly - and it still took me about a year to feel settled. It must be a whole lot more daunting when you don't speak the language and you're not legally allowed to work, or where there's a significant culture-shock factor. Imagine what it must have been like for disco dolly Jemima Goldsmith when she married Imran Khan and moved to Pakistan!
To cut a long story short, my relationship eventually imploded and I returned to Australia. But I don't regret those two years in Manchester one bit. I made some amazing friends, saw a lot of England, got my first publishing job - and did a lot of character-building.
Have you ever relocated for love? Did it last, or did you live to regret it? Any advice for globetrotting romantics?

-Susi Watusi
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by
Sara Bertoni

Friday 27th of July Daryl van Wouw showed his Spring Summer 08 Collection during AIFW. At the up beat tunes of DJ Joost van Bellen, Daryl showed both a women and men's collection under his name. The colorful, often unisex collection with matching accessories is tough with an edge for men and sexy and recalcitrant for women. Daryl even designed an accessory line with earrings, bags, sunglasses and even sneakers. His collection is inspired by the mid-eighties with a touch of Asian folklore.

Daryl infact takes his inspiration from a mix of cultures, styles and tastes which can be found in major cities such as New York, Paris and London. His approach to design is very much in keeping with today's independent, cosmopolitan lifestyle, and immediately evokes the words streetwise and melting pot.

It is difficult to place Daryl's collections in any particular category, not least because he himself clearly eschews 'pigeonholes'. Daryl van Wouw graduated from the Arnhem Academy of Art in 2003. Later that year, the collection he had produced for his final exams was nominated for the prestigious Robijn Fashion Award. Daryl van Wouw Daryl has traveled around the world to learn and work with big designers. He has spent time with a number of leading fashion houses, including Donna Karan in New York, Mart Visser and Zero Maria Cornejo. In 2004 he became a postgraduate student at the Fashion Institute in Arnhem.

Daryl has presented his collections to the international press at the Amsterdam International Fashion Week, Antwerp Fashion Week and New York Fashion Week. The unusual and striking combination of styles quickly earned Daryl the nickname 'street-couture designer'. His innovative and creative way of designing has brought Daryl impressive clientele like Converse and Swatch. He is well known for his own personal style: he is always hanging around with big headphones, so it is very easy to recognize him!

For more information: www.darylvanwouw.com

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by sara bertoni

On Friday the 27th of July 2007 Elle presented its Spring/Summer 2008 prêt-to-porter collection, a collection that  captures a soft Metropolitan futurism with sport-luxe inspirations in silvery hues and translucent acid colours. Silhouettes are evident and outspoken with soft volume on the top exaggerated by dropped shoulder seams and a marked waistline above slim fitted bottoms. The prêt-à-porter label is designed by International Dutch design duo Oscar Raaijmakers and Süleyman Demir: an exciting and experienced design team led by the Artistic Director Nikki Hillier.

 

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Key shilouettes of the season were reinterpreted into chic wearable looks and perfect easy pieces with a unique Elle twist. The first new international Elle Brand store opened last year in the fashionable Spanish seaside resort Marbella. In the Netherlands brand stores followed in Eindhoven, The Hague and Maastricht. The first flagship store in Amsterdam was presented to the press just after the catwalk at the AIFW of last week.

 

 

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by sara bertoni


In 1997 Ilja Visser attended the School of Arts in Arnhem, the Netherlands to study Fashion Design. Ilja interned at Donna Karan (www.donnakaran.com) in New York and Maria Cornejo Zero Red DaDa (www.mariacornejo.com).

After graduation Ilja moved to Milan to discover the roots of fashion, fabulous fabrics and inspiring design. It was here she laid the foundation of her ambition, realized in 2005, to introduce her own label.

Ilja Visser opened the 7th edition of International Amsterdam Fashion Week (AIFW). Inspired by Benjamin Hoff’s world’s bestselling book The Tao of Pooh, Ilja Visser presented her SS 08 collection, which combines the rebel feel of her target group with a simple yet always positive view of the world.

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Chic Simplicity

The ‘Chic’ in the collection stands for the use of beautifully refined fabrics such as velvet and washed silk as well as strong details and sharp cuts. ‘Simplicity’ is translated into an elegant look with simple silhouettes and modest designs without frills. The Ready to Fish, Ilja’s pret-à-porter line, consists of stylish basics, from chic hooded tops and bell bottomed pants to sharp tailored trench coats. All the dresses have an emphasis on the waist and come in several lengths. The full-length couture dresses flow beautifully and are super feminine. The modest colour scheme ranges from nudes and grey to brown/orange. The bears carried by the models on the runway are a reference to Pooh bear, who is the inspiration of this collection. They are emblems of the child within everybody and the necessity to keep an open minded -  according to Ilja Visser.

For more info: www.iljavisser.com

 

 

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It's been quiet on the interview front at Shortcut, but here's a special treat: I've talked childhood friend Linda Heydegger into letting me interview her about her work as a painter and showcase some of her pieces in digital form on the site. Linda's been painting and drawing since i first met her at age 11 and she's done so with increasing success. Her last exhibition, a series of still lives, was a delightful amalgam of mundane objects set off by dazzling colours: these are household items glimpsed perhaps casually on kitchen tables across Europe, but rendered with fastidious detail and arranged sensually like objets d'art before the viewer. Each piece barely bigger than a large-sized envelope, the still lives evoke a series of postcards conveying multiple domestic worlds, each with its inherent cultural flavor. And yet these multiple, disparate words, nudged into careful composition and bathed in glistening colours, converge into fundamentally the same vision: an image of home.

Linda was born in Basel but raised between Arizona, Germany, Switzerland and now lives in France.

Read the interview or enter the gallery

Shortcut: You've been painting for years and have had several exhibitions. At what point did painting become more than a hobby for you?

Linda: The first time i experienced satisfaction in my own work was as a twelve year old, when I won a wonderful white ballet tutu in a drawing competition. Since then I have developed a certain ambition....By the way, even today i tend to approach art as a hobby rather than a profession. This lends my work a degree of lightness and an ostensibly independent streak. More than anything it's my work as an art teacher that pays the bills.
 
Shortcut: Any role models that inspired you, painters and others?
 
Linda: Role models were something that influenced me at an earlier stage.  For example the pop art works of Andy Warhol or the charged, solitary landscapes of Edward Hopper. I also enjoyed Georgia O'Keeffe's rich paintings. And Cindy Sherman's ability to stage her own stories via the medium of photography appealed to me. I can find inspiration in many places. Old photographs, the gesture of a woman brushing her hair at a train station, a children's game, a shapely cup aso. I find inspiration in many mundane objects or things. I absorb them and digest them,  at times brooding about something for a long time. Then later they resurface in my work in some way or other.
 
Shortcut: What do you want to express in your works? Do you have a clear idea when you start or is it an intuitive process?
 
Linda: A certain idea of your work exists at the beginning. Usually in the form of an intuition or foreboding, similar to a dream that you try to reconstitute after waking up in the morning. Sometimes the dream is lost, but occasionally all the details emerge clearly. I process memories and stories.  Like in my work "Little Secrets", a series of small letters cast in plaster . The little secrets, which here can no  longer be read or deciphered, exist purely in the imagination of the observer. In my still life paintings, i briefly appropriate for myself the objects i paint and I get to enjoy the richness of all these small gems. They are interchangeable and also superfluous - they stand for the fleeting nature of possessions.
 
Shortcut: You live in France with your partner, after living in Switzerland for a long time. What made you decide to move?
 
Linda: What makes my heart skip a beat with joy - this old apartment in a villa dating back to 1897. The villa and its large garden were what triggered the move. We live very well here on the border between Germany, France and Switzerland. we can take advantage of the best of each region.
 
Shortcut: Switzerland has become well known for its Art Basel fair and now the Art Basel Miami. What's your take on art fairs? Do you think they're useful, inspiring events or an excuse to party and make money?
 
Linda: To me Art Basel gives me a yearly glimpse into the general trends and the prevailing mood in contemporary art. You can get all riled up and at the same time get carried away about something. This paradox is the real kick for me.
 
Shortcut: On a different topic: what's your favorite spot in Europe? 
 
Linda: I can't give a definitive answer to that. It depends on the season and what your current lifestyle is - i've definitely enjoyed the cliffs of Corsica's West Coast, the arid landscape of the Alentejo in Portugal and the hills of Piemont in the Spring. The best place is probably Sicily  - i've always wanted to go there!
 
See more paintings at galerie maeder

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by moscerina

Photo credit: "Testaccio blues" by _mirko_ (?)

When it rains, Rome is usually the last place anyone wants to be. You can’t eat outside, unless you don’t mind getting quasi-soaked. The buses, trams and taxis seems to be in limited edition. The Vatican Museums are overrun and the Forum has a mud river flowing through it. That doesn’t mean there is nothing to do in Rome. It just means you have to be clever and get out of the historical center.

And right now, this means visiting Testaccio, the latest “really, truly Roman” neighborhood to be gentrified.

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Testaccio is not as quaint as the charming little neighborhood called Ponte between Piazza Navona and Castel Sant’Angelo. It has none of the medieval buildings of Campo de’ Fiori nor the terrazzos of Trastevere. It’s a “new” working class neighborhood with slightly modern buildings, an urban park and large sidewalks.

In its center is probably one of Rome’s more favorite street markets, noted for its egg, tomato and shoe vendors. Famed Volpetti, Rome’s best cheese shop is on Via Mamorata, the main street that leads into Testaccio from the Tevere (Tiber river). Via Galvani, running perpendicular to Via Marmorata, is noted for its row-houses built into Monte Testaccio, a Roman amphorae (pottery) dump and now backdrop to several hip clubs.

Testaccio also is home to two secret enclaves of culture: Centrale Montemartini and MACRO al Mattatoio.

Centrale Montemartini, Rome’s first power station, re-opened in 1997 as temporary housing for 400 of the Capitoline Museums’ Greek and Roman sculptures. Now the Centrale Montemartini is the permanent home to a vast collection of antiquities which include a terracotta Athena, the famous togato Barberini (a Republican-age senator in toga), ruins of the Temple of Apollo; and, among several others, a Venus seated on a horse. The striking contrast between raw material like industrial engines and turbines and elegant, finished classical sculpture creates an amazing viewing experience.

Centrale Montemartini often hosts contemporary shows along side its permanent collection, and is considered Rome’s favorite “off-the-beaten” path visit for those who chose to venture “outside the walls.” Tickets cost 4 euro 50, or 8.50 for the inclusive double museum ticket of Centrale Montemartini and Capitoline Museums. 

MACRO al Mattatoio, open since 2002, is located in a former slaughterhouse, and shows contemporary art exhibitions. The collections are temporary, and always contemporary. Taking advantage of hip location, MACRO opens at 4 pm and closes at midnight, Tuesdays through Sundays.

 

Centrale Montemartini
Via Ostiense 106, Testaccio
Tuesday through Sunday: 9 am to 7 pm

MACRO al Mattatoio
Piazza Orazio Giustiniani, 4 - 00153 Roma
06 6710 70400

 

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by
Sara Bertoni

Terrazza Martini has been for years the scenery for the most famous jetset parties in all large metropolises. Martini held terrace on exclusive top locations for various film premières, cocktail parties, press events and other stylish happenings. The world-famous vermouth brand brings this summer Martini Terrazza not only in Amsterdam, but also in and Rotterdam!

Last year we saw TM at the the most beautiful Hotel in Amsterdam, Amstel Hotel, while last week you could have a beautiful sample of Italian costièra-scenes at café Vertigo, in the Amsterdam Vondelpark, the most famous park of Amsterdam. Sparkling cocktails, a beautiful view and a typical “dolce vita italiana”. In August, Terrazza Martini will move to the pans cake street in Rotterdam. The pans cake street is the place to be after a day of shopping where enjoying a snack and a drink in your new outfit and let Martini surprise you with exclusive entertainment and delicious cocktails. In Rotterdam Terrazza Martini will be opened from the 24th until the 26th of August.

The Terrazza Martini has been recently been modernized and turned into a modular structure, making it possible to bring Mondo Martini to any location at anytime, anywhere. So if there is a chic event in a glamorous city, chances are you may be invited to the Terrazza Martini as it happened during the Amsterdam International Fashion Week….and as George Clooney said while is watching the beautiful “torero lady” drink Martini… ….”Magnifico”

For more info: www.Martini.nl

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VIAmigo.com helps global travelers find authentic, local experiences and insider adventures - by connecting them with personal tour guides from everywhere. We simply let independent tour guides tell everyone what travelers can see chez eux - and we let travelers rate guides. VIAmigo.com is, pardon the jargon, a one-to-one destination marketing platform. Go beyond the guidebook. Go everywhere. Get into everything.

 

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